HOW TO USE THIS PIECE

 

We Sing With Grace

in Our Hearts

(click title to view and hear online) 

This original composition may serve as a processional to a worship service of music or a concert. After the choir sings the introduction from the entrance of the sanctuary or concert hall, they then process forward as the soloist, who stands in the choir loft or on the stage, sings the solo. After the choir is in place, the selection finishes with the "Amen."   Check out the four-part variable voicing chart to better understand the different voicings that may be used with this arrangement.  The recording is a live concert, so extraneous sounds are present when the soloist enters the stage and then later with the choirs and director enters.  The words sung by the choir are from the first published edition of the work.  The current printed music is the second edition, hence, the words are somewhat different.

 

Words and Music by Don L. Collins

Arranged by Collins

Four-part Variable Voicing with Piano

Cambiata Press catalog #C117449

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-- ATTENTION PLEASE --

When you click the three-part of We Sing With Grace In Our Hearts you will be able to access an engraved copy of the piece.  When the new page appears, if you haven't already downloaded the scorch plug-in, you will be asked to do so. This plug-in gives you access to all the scores on the Cambiata Press website.  After the music appears on your screen, there are TWO WAYS to view and hear it:

1.  Click the "play" icon and you will hear the piece played electronically, and as it plays, the cursor will lead your vision through the piece.  Read the text as you listen to the music.

 

2.  Click the "Hear Choir Audio" link (upper right hand corner) to hear a choral ensemble sing the piece.  Use the Sibelius "page" icon to move the pages of the engraved copy manually as you listen.  Do not click the "play" icon while the ensemble is singing or you will hear both renditions simultaneously.

This choral rendition is by

The Cambiata Singers

of the Arkansas Boys Choir

Don L. Collins, Director

 

 

 

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